Essentials of Landscape Composition (Dover Art Instruction)

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Hensche on Painting by John W. Robichaux Dover originally Rendering in Pen and Ink by Arthur L. Guptill , Watson Guptill drawing examples not by him James, It occurred to me that in my above list, the books that have not been reprinted are in a large format. Great list.

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I have almost all them. I have the Loomis books as well and Rex Vicat Cole' book on perspective. Between Cole and Loomis everything one wants to know about perspective is there. I know the Ernst Norling book and it's a good book on this subject. Definitely simpler to grasp than Cole' book. Great post, thanks! I also want to mention Bruno Lucchesi's "Modeling the figure in clay".

It helped me a lot learning digital sculpture. It's not Dover but a great process reference, even if the photos are a bit underexposed. Craig Wilson: thanks for sharing the link on human types!! Nice, simple and informative with great explanatory drawings. Bridgman and Norling have long been among my favorites. Also, this is an excellent reference for "athletic" bodies. My all time favorite is Schmid's Alla Prima.

I found this post to be useful for me in compiling a wish list! I also appreciate the recommendations in the comments section. Oddly enough, the biggest piece of information I came away with from my first reading was how to achieve the different edges in a painting, I like the method he presents. Sadly, as far as I know the book is out of print, so it's hard to find. I love all of Loomis' books, and own most of them, but what I'd love to find is a book at his level about gouache painting, from that period.

Any suggestions, anybody? I love dover books and buy one any chance I get, and I'll definitely check these out. They also have a few books on medieval painting techniques, like the Practice of Tempera Painting by Daniel Thompson. Since I don't tolerate solvents really well and don't like the plastic look of acrylics, I tried out egg tempera. Without this book I wouldn't have gotten very far with it. Thanks for posting your list!

Thank you for this, James. I'll look into the perspective book and the tree book. I have some of the others. I like Dover books, and have a lot of your list already. I own or at least have read most of all the books mentioned in your post and the comments. Not a bad one in the bunch. I refer back to them often. This book got me into drawing and keeps me drawing. My copies of Harold Speed and George Bridgemans books are just as dogeared!

Aimed at cartoonists, but very basic info on weight, seeing a character in 3-D, and making use of the "line of action.

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I second the Daniel Burleigh Parkhurst book "The Painter in Oil" - it's fairly interesting, although it covers will trodden ground. Also, there's an interesting book called "The Twilight of Painting. Ives Gammell , who was mortified by the rise of modern art. His analysis of how this happened and what it will mean and what should be done about it is fairly interesting, in that it basically all came true. Unfortunately the book is out of print now and used copies are fairly expensive.

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I am selftaught and i practiced art since for a few years so far. Just for beginners, it has a very slooow learning curve and a very low starting point. By following the book it's possible to learn to draw figures and environments without any unnecessary stress, which in my opinion may be fatal at the beginning. I read it many times, It's very easy to follow and every phrase in it is gold. Plus, it covers a very large variety of fields. Just like with the other Andrew Loomis books, alongside every truth is given an explanation, alongside every technique is given a reason to learn it.

Since there's not any hint on how to study, I have found it a little difficult at the beginning. When i turned back to it after a while, i just knew what I wanted to know, so it might be considered a reference book , more than an instructional one. I have the italian version of this. Very bad image quality, translation, paper. The plates are hard to read, but maybe it's just because of the poor transposition. One the hardest parts of trying to become an artists on a part time basis over the years is coming across lists like this.

I tend to buy all the books, reference material, and then when it comes time to sit and learn I get overwhelmed by the sheer volume of resources available. I get paralyzed because I don't know where to start, or I start in to many places and only achieve overload. I've been breaking things down lately to working the learning issues one painting, drawing, or concept at a time.

But it is still a struggle for me knowing where I am and where I need to go and not feel the weight of the challenge. In the end I have found the only path forward is to keep moving becuase if I stop, I won't accomplish anything. Thanks for the list Jim. Looks like a good list! I only have the Bridgeman and Hultgren books. I'll have to check out some of those others. I'm glad to see the Vanderpoel book on your list.

I have been studying it for the last few months and loving every bit. He describes the planes of the human form more intimately than any other book I've read. It's as if he's your tour guide to the figure. Value wise you can't beat the Dover books, but the text in older books can be hard to digest unless you really buckle down with them. In general, I prefer art instruction books that present concepts in small doses and then build on them. I've long been fond Henry Poore's book "Pictorial Composition". In my college art classes, composition seemed to be the one topic that never quite fit in the semester, yet often came up in critiques of my work At last the library supplied this book to fill the gap.

It gives a good solid overview of compositional conventions in the european painting tradition, with ample black and white engravings to illustrate. Great book.

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I was lucky enough to get all the main ideas directly from my drawing instructor in class, with model, which is the best way but the book was an excellent review in later years. Great thoughts you got there, believe I may possibly try just some of it throughout my daily life. Once you understand how light works and how to shade basic shapes, drawing more complicated subjects becomes much easier. Thanks for this info! This is a wonderful article, full of information. Good for beginners and also as a reminder for the rest of us. Thank you. Great articles and Thanks a million for the visuals.

I did a painting a while ago and had some issues with the shading. I really wish I had seen this article back then. Great stuff. Keep it coming!!! I was actually looking for a word to describe light and dark as a concept and i think you article shed a little light on the darkness.

Dover Art Instruction

Do you have any other word to describe light and dark as a concept. This is a brilliant article Sheri. My son is currently studying art at A-Level and doing brilliantly. Sketching is his favourite side of art and this will be invaluable.

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This is absolutely informing. I had a great time with this lesson. I struggled a lot with how light hits an object, particularly with the angles of light. I loved the lesson. I bookmarked for future referencing. Thank you! Sheri, I have never seen drawing explained quite like this. I love how you talk about the different angles of light and shadows.

Again Awesome! Thank you for the awesome article! In my opinion, value is the most important element of art. I like your lesson on Light and Shadow. I need to find more lessons and learn to improve my drawing skill on internet. What is your source for the impressionist theory of painting flat surface planes? Value has always been a vital tool and multiple light sources were not a big concern with impressionist painters as a group.

Impressionists identified every tone shape as a light and assigned a color value to the brightest tint and deepest shade. Color temperature and chroma exceeded value and volume as a painting concern for most impressionists. They were interested in depth as the relationships of color value shapes juxtaposed in space.

Light source, like value is inseparable from representational works and was unavoidable, just not a primary concern. You have laid the cornerstone upon which the building of all art rises. When this is understood, really, then all doors of creativity and confidence are opened; freedom of ones expressions now unfold. I would like to ask you a Q. What do you think it is that the quality of the light effects the value of color? I decided to use graphite to train my eye and mind—wow, was it hard to get any information about how to observe what happens to light. Thank you, thank you. U didn0t explain or teach to people the rules behind shade on perspective, or axonometry.

This is what we call a complete art class Its actually better than my college lectures.. Thankyou so much. Dear Sheri, You are a great artist and a generous soul. Thank you so much for sharing these extremely important and useful basics. Your email address will not be published. Disclosure: Please note, that when you click certain links and purchase certain items through my Website , I will receive a referral commission. You can learn more by following this link. Thanks for your support!

Figure Drawing Secrets How to quickly and easily master figure drawing and painting without a model Comments This is a great, comprehensive article! This is a wonderful article…. A very comprehensive article. Many of my vague concepts were cleared. Great stuff! Feel like I am in class with my teacher again.

Drawing Lesson - A Theory of Light and Shade

This is really a good article! Very impressive and helpful. Best Regards, Vlad. Thank you do much for sharing! Brand New. Seller Inventory More information about this seller Contact this seller. Book Description Dover Publications. Book Description Dover Publications Inc. Language: English. Brand new Book. Seller Inventory BTE Book Description Dover Publications, Seller Inventory M Seller Inventory NEW Ships with Tracking Number!

Buy with confidence, excellent customer service!. Seller Inventory n. Book Description Condition: New.

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